Marc Jacobs: Critical Analysis 1963-Present

Critical Analysis


          The influence of Marc Jacobs can be seen throughout the fashion world. He was able to give a new light to Louis Vuitton, turning the designs from boring, into a more contemporary, out of the normal look. His own personal collection has generated designs that reflect his own life, and show the influence he had while creating them. His name is one that is world famous, people from across the globe know who Marc Jacobs is, and what he represents. The followers of Marc Jacobs include a plethora of people. They may be affluent, on an average income level, or even lacking money that could be used to purchase a Marc Jacobs piece. He is able to relate to every aspect of life, giving people something to look at for inspiration for there personal style. Celebrities such as Victoria Beckham praise Jacobs as being a key figure in the fashion realm.
“Marc Jacobs is undoubtedly one of the most influential designers of all time. He has never followed fashion or trends; he follows his heart and sets trends. His passion for popular culture infuses his designs with irreverence, color, and energy. It’s what sets him far ahead of his peers. He is not afraid to go against the grain and never feels the pressure to conform.” (Boone 77)
He is an icon because he isn’t afraid to be different, he isn’t afraid to try something that may fail. After he came into the industry, more designers had this same thought process when creating new garments. Marc Jacobs is always searching for the next new thing that can be devised from something completely unique. Designers have been influenced by Marc Jacobs in the sense that one doesn’t have to be afraid to take a classic piece of fashion and turn it into a fresh, new more modern look. In return, Marc Jacobs has looked to past designers for influence, and inspiration for his collections. In 1985 he designed a mini-dress that was covered in sequins, the influence for the piece being Elsa Schiaparelli. He also modeled styles after the interior designer Elsie de Wolfe by putting beautiful embroidery onto the clothing. (Boone)
The zeitgeist surrounding Marc Jacobs is directly reflected from the grunge movement of the nineties. Jacobs was infatuated with where this movement was going, and what it stood for. He earned for a lifestyle that would be carefree, and lean towards a new kind of existence. He was all about not conforming to what already exists, but developing something new, and fresh.  The interest Marc Jacobs had in the music of the nineties reflects the zeitgeist as well. Heavy guitar, high-energy performances, and lyrics that addressed “social issues such as apathy, confinement, and a desire for freedom.” (Boone) The message the lyrics gave was the anthem, and spirit of this time. The musicians that absorbed Jacobs’s ears included Nirvana, Alice in Chains, Pearl Jam, and Soundgarden. (Boone) In the later years Marc Jacobs fashion shows would have themes inspired from the music of the nineties. The music was the true spirit, being the main influence towards the grunge lifestyle. Marc Jacobs is credited as being the first designer to platform the grunge look in the fashion world. One of his most famous collections was showcased in 1992, given the name, “Grunge Collection.” The collection consisted of oversized shirts, sweaters, and jackets. Old flannel shirts were paired with “dirty” pieces of denim that had rips and holes. The overall look was slouchy, not caring, and the most importantly the opposite of the clean cut styles previous decades produced. This collection is what gave way to the success Marc Jacobs would later withhold, making the spirit of this decade the heart of the Marc Jacobs label. 


Bibliography
Boone, Mary. Marc Jacobs. New York: Library of Congress Cataloging-in-Publication      Data, 2011. Print.

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